About
Co-tempORaRY
VISION
At the core of Co-tempORaRY Dance is a deep reverence for the Australian Asian community. We’re dedicated to interweaving the narratives of diversity and culture into our artistic expression and bring them to the forefront. Appreciating the privilege of sharing our cultural legacy on this land, we advocate for inclusivity and cultural representation across all forms of contemporary arts.
meet the team
Ensemble
Coco
Ke (Coco) Li (she/her), deeply influenced by ballet and Chinese traditional dance, has carved a niche in exploring innovative dance expressions. Her artistic journey, enriched by international travels, embraces diverse styles and cultures, leading to a unique, open-minded dance approach. Coco pioneered immersive performances, notably “WALK” at Melbourne Fringe 2023, which blurred the lines between audience and performer through improvisation and intimate dialogue. Coco views every living moment as a potential source of data, ready to be analysed and interpreted through the body, her artistic expression and movement practice are driven by a deep connection between breath, body, and mind, which the core belief extends beyond her own personal practice, as she passionately encourages others to engage with their own bodies as tools for self-discovery and communication. Through her leadership and creative endeavours, Coco has championed the fusion of disciplines, advocating for dance as a profound tool for communication and understanding.
Freddie
WenJie (Freddie) Chen(he/him), originally from Beijing, China, embarked on his dance journey at 17, upon his arrival in Australia in 2013. His initial foray into contemporary dance was under the guidance of Beth Lane, a Victorian College of the Arts alumni, at the Jane Moore Academy of Ballet. To deepen his understanding of dance, he pursued the VCE dance subject during his secondary education. In 2015, his dedication to dance led him to the Victorian College of the Arts, where he had the privilege of working alongside renowned choreographers such as Darren Vizer, Rochelle Carmichael, Benjamin Hancock, Kate Denborough, and Alisdair Mclndoe.
Freddie’s artistic exploration delves into the intriguing imperfections of narrative linear storytelling, pondering the impact of missing elements and the adaptation of the body when parts of it are unusable. His movement philosophy is deeply rooted in the interplay between internal states and external factors, where the initial stimulus received by the brain often dictates his movement. This dynamic interplay between following direct brain commands and allowing for spontaneous movement reflects the essence of his creativity. Freddie draws inspiration from the natural responses his body manifests in reaction to the external world, selecting specific movements from these responses as the foundation of his artistic expression. Through his work, Freddie seeks to unveil the power of “absence,” exploring how the negative spaces and capacities of our kinaesthetic awareness contribute to the fullness of artistic expression.
Snow
Xueting(Snow) Zhang (She/Her), Snow’s journey into the arts began with a solid grounding in Chinese Classical and Folk Dance, disciplines that instilled in her a deep appreciation for the power of storytelling through movement. This foundational training in China has significantly shaped her approach to choreography and performance, melding traditional techniques with contemporary themes.
Now a choreographer and performer based in Melbourne, Snow‘s artistic endeavors are deeply intertwined with exploring societal voids and the critical need for emotional expression in today’s world. These explorations serve as both a point of introspection for Snow and a means of outward expression, leading her to develop works that are dramatic and rich in character development. By focusing on individual narratives within a broader societal context, her pieces offer a poignant commentary on human experience.
Snow’s commitment to storytelling underscores her belief in the transformative power of art as a tool for self-discovery and expression. Through teaching and her practice, she aims to facilitate healing and bring to light the complex interplay between tradition and contemporary life, leveraging her background in Chinese dance to explore and bridge these worlds.
=w=
=w=(any/all), Naarm-based mover/artist. =w=’s movement is a conjure of improv, release-based techniques, Chinese Classical Dance and some grooves.
Graduated from BFA(Dance) at VCA, they have in their coursework worked with acclaimed choreographers and artists including Kialea-Nadine Williams, Kimball Wong, Brianna Kell, Daniel Riley, Gregory Lorenzutti, Carol Brown, Jordine Cornish, Lucy Guerin and Ngioka Bunda-Heath.
Their most recent work “Odd to be beings” presented in Temperance Hall’s Midsumma program 2024, was a duet with their dance teacher Coco Li. The work reflects the fluidity of relations and identity, the significance of shared moments, and the perpetual dance between self-discovery and connection.
Their experience extends to the intersection of dance and technology, with involvement in Swinburne University’s motion capture and volumetric capture projects(2021-2024) organised by Kim Vincs and working with Megan Beckwith on “Parallax” at the Castlemaine Fringe 2023, a work integrating vigorous movement score and 3D illusions.
=w= weaves their identity into their artistic practice, and strives to challenge the norm of the way art conveys to an audience.